It seems that the excitement for the half of it is misplaced and will only lead to whining about the movie after it comes out, people have been selling it as this glorious lesbian romcom when it really isn’t.

Ah, well, if the ending holds, maybe, although I wouldn’t characterize it as “whining”, I think people are allowed to be upset at the difference in what’s available. When you see Netflix put out a bunch of m/f romcoms and then one f/f movie which totally reads like a romcom, if it’s not…I get it. 

But of course on the flip side, Alice Wu is entitled to make whatever she wants, she’s not solely responsible for making up for decades of underrepresentation (especially when she made one of the first good and still tragically rare f/f romcoms we DO have) and people shouldn’t go after the cast or crew or even fans who do like it or ruin it for them. It’s always a balance, right, unless something is clearly deliberate and egregious, stick with criticizing the trends more than individual creators, don’t fill the tags with hate, etc. 

And maybe it won’t be so bad, Portrait of a Lady on Fire wasn’t the happiest ending but the f/f community embraced it. And this ending should be happier than that, at least. And you know, I realize you might be talking about two different reasons people’ll be disappointed, both the ending and the fact that it’s more about a friendship between Ellie and the dude, but Saving Face wasn’t just between Viv and Wil either. In fact, it had not only Wil and her mom but the whole separate subplot of Wil’s mom and her bf. And most of us were okay with it. It depends a lot on how it’s done and Alice Wu is pretty skilled at balancing it all.