I liked you gifset of the Discovery crew seeing Michael again, it was such a sweet scene seeing how happy they all looked. Even “I’m too cool for you nerds!” homicidal maniac Philippa Georgiou looked like she finally got to release a breath she had been holding in the whole time since they arrived. Also, it was cool to see Nhan in the credits, and that Detmer might actually be getting a storyline! I adore the mains, but I do find the bridge crew interesting as well.

It was! I loved it, because while I do have complaints about the show, that’s one of the things that’s really worked, that the Discovery crew really loves Michael and vice versa, and especially in this setting now, so alone and kinda scared, they just want to all be together and regroup as the family they’re going to have to be now. Georgiou’s breath she wasn’t holding was definitely a fun addition to the montage of relieved smiles and laughter. I feel like the show kind of forces emotional and inspirational moments sometimes (”there is…life” and the whole thing about Kal waiting for and counting on the Federation) and should just stick with a few each ep. In this one, the Tilly first impression line and that final scene with Michael felt so earned and good because we’d been seeing Tilly struggle and the crew missing Michael, too many kind of dilute those and just feel awkward and forced.

And yes, Nhan and Detmer, it was super fun to see so many of the characters and dynamics we don’t usually get, and I think that’s one of my main complaints. I really think they should just go ahead and make Michael the captain. That way, the screentime wouldn’t have to be divided between her often totally separate adventures on the one side and then the whole of the Discovery crew on the other. If she becomes the ship’s captain, there becomes a lot more overlap. Unless the only thing they’re gonna do with this extra screentime is kill Detmer, then I would prefer less, lol.

For the asian show anon: White Nights on Netflix (Night Lights) mainly focuses on the first female lead and then the second female lead. It’s one of the rare ones where there’s barely any m/f relationship (there’s only minimal references to the past brief relationship between the first female lead and male lead). In terms of the level of subtext, there’s quite a lot between the two women from the parallels, dialogue, and OST lyrics? It feels like TPTB def wanted to go in that direction bc they said that ‘womance’ was the focus, but probably there’s only so much that they could do considering it was on a broadcast network. Seo Yi-kyung is one of my favorite characters of all time so maybe check it out if you’re interested!

Awesome, that sounds perfect for what anon wanted. It also sounds pretty great to me, I’m putting it on my list!