(#drowning tw)
26 Favorite Femslash Moments of 201413. Heartless – Emilie and Sofie
This scene could be argued as not necessarily femslash. In a lot of other shows, it would be explained as something else. But in this show, it is completely romantic. Or, it will be. As I’ve repeatedly said about why I love this ship, it’s exactly the tropefest you get in genre fiction, just f/f. Let me know if you’ve heard this one: the vivacious and sheltered daughter of the male authority figure decides a good way to rebel would be to get involved with the mysterious new kid with the bad attitude. …the new girl.
They get exactly the treatment you’d want. Before they’ve even properly met, they’re trading curious, lingering looks. Despite a fast-paced heavily mythological plot, the show pulls them again and again into each other’s orbits. When Sofie is thrown into the lake as part of a hazing ritual above, it’s Emilie who comes to her rescue in this big showy epic uber romantic scene. As the everything becomes darker and more twisted around them, they seem to provide the show’s only light, sweet moments, carrying on a tentative courtship, each seemingly bold but carrying their own secrets. And as the season ends, we find out they really are the star-crossed lovers on whom possibly everything hinges.
(#drowning tw)
26 Favorite Femslash Moments of 201413. Heartless – Emilie and Sofie
This scene could be argued as not necessarily femslash. In a lot of other shows, it would be explained as something else. But in this show, it is completely romantic. Or, it will be. As I’ve repeatedly said about why I love this ship, it’s exactly the tropefest you get in genre fiction, just f/f. Let me know if you’ve heard this one: the vivacious and sheltered daughter of the male authority figure decides a good way to rebel would be to get involved with the mysterious new kid with the bad attitude. …the new girl.
They get exactly the treatment you’d want. Before they’ve even properly met, they’re trading curious, lingering looks. Despite a fast-paced heavily mythological plot, the show pulls them again and again into each other’s orbits. When Sofie is thrown into the lake as part of a hazing ritual above, it’s Emilie who comes to her rescue in this big showy epic uber romantic scene. As the everything becomes darker and more twisted around them, they seem to provide the show’s only light, sweet moments, carrying on a tentative courtship, each seemingly bold but carrying their own secrets. And as the season ends, we find out they really are the star-crossed lovers on whom possibly everything hinges.
(#drowning tw)
26 Favorite Femslash Moments of 201413. Heartless – Emilie and Sofie
This scene could be argued as not necessarily femslash. In a lot of other shows, it would be explained as something else. But in this show, it is completely romantic. Or, it will be. As I’ve repeatedly said about why I love this ship, it’s exactly the tropefest you get in genre fiction, just f/f. Let me know if you’ve heard this one: the vivacious and sheltered daughter of the male authority figure decides a good way to rebel would be to get involved with the mysterious new kid with the bad attitude. …the new girl.
They get exactly the treatment you’d want. Before they’ve even properly met, they’re trading curious, lingering looks. Despite a fast-paced heavily mythological plot, the show pulls them again and again into each other’s orbits. When Sofie is thrown into the lake as part of a hazing ritual above, it’s Emilie who comes to her rescue in this big showy epic uber romantic scene. As the everything becomes darker and more twisted around them, they seem to provide the show’s only light, sweet moments, carrying on a tentative courtship, each seemingly bold but carrying their own secrets. And as the season ends, we find out they really are the star-crossed lovers on whom possibly everything hinges.
26 Favorite Femslash Moments of 2014
14. Orphan Black – Cosima and Delphine
Do I need to say anything?
26 Favorite Femslash Moments of 2014
14. Orphan Black – Cosima and Delphine
Do I need to say anything?
26 Favorite Femslash Moments of 2014
15. Witches of East End – Alex and Joanna
Okay, so imagine you’re watching this cheesy fun show about witches on Lifetime. As you’d expect, it’s a bit soapy, but also female-centric, so it balances out. The main characters are the four women of the Beauchamp family, matriarch Joanna, her sister Wendy, and her daughters Ingrid and Freya. Joanna (Julia Ormond) is apparently incredibly powerful, but mostly just seems to worry about her daughters now, who’ve been cursed to die and be reborn continuously, and it’s her curse to watch that happen. In this current cycle, she’s decided to not tell them about their magical past in the hopes that it’ll keep them alive for longer, so as the show begins, they have no idea about their powers. The sister Wendy (played awesomely by Mädchen Amick) can shapeshift into a cat and has about as many lives as one. She’s charismatic and fun-loving but things between her and Joanna have been frosty for a while. Freya’s caught up in a love triangle between two hunky brothers, the two regular male characters on the show, and Ingrid’s a librarian who, once she’s learned about her powers, is surprisingly greedy for more.
All right, so the stage is set. With so many women, the initial hope’s always that one is going to be revealed as queer from the start, but that didn’t happen here. All right, it’s an enjoyable enough show on its own and surely Wendy’s going to reveal a f/f fling or maybe Ingrid’ll start something up, whatever. In the of the second season, as our heroes are deep in trouble, they need an incredibly badass hunter. Oh look, Joanna knows someone. She takes Wendy off to the streets of NYC and just magically zones in on a woman. Meet Alex (Michelle Hurd), successful hedge fund manager. She’s not too happy to see Joanna and rejects her plea for help and it’s clear there’s something personal there. At this point I am intrigued, but then I’m intrigued pretty darn often, so pfft. No need to get my hopes up. With no help from her, the Beauchamps continue to ineffectually plan and bicker, but hey, she’s showed up after all, no more business suit but jeans and hair pulled back. She’s still short with Joanna, but obviously someone’s gotta help them.
Then, we get a flashback! In a previous life of Freya’s, Joanna introduces her to her “friend” Alex. So at this point, I’m no longer just suspicious, I am sure. And then we go back to the present where they bicker and call each other stubborn as they try to not very subtly protect each other. Even though this was Alex’s first appearance on the show, Ormond and Hurd played it so well, they really did seem like a couple of exes. As they finally did go out hunting, the scene above happened! And so, okay, I was like 99% sure, but to have it confirmed. What makes this a favorite is how even in just one episode they managed to put together a good story. Alex ended up staying for just one more, and they had a really good couple of conversations in the next ep, but this scene remains my favorite. I know WoEE’s been cancelled but I can hope that if it had continued, Alex would have returned.
26 Favorite Femslash Moments of 2014
15. Witches of East End – Alex and Joanna
Okay, so imagine you’re watching this cheesy fun show about witches on Lifetime. As you’d expect, it’s a bit soapy, but also female-centric, so it balances out. The main characters are the four women of the Beauchamp family, matriarch Joanna, her sister Wendy, and her daughters Ingrid and Freya. Joanna (Julia Ormond) is apparently incredibly powerful, but mostly just seems to worry about her daughters now, who’ve been cursed to die and be reborn continuously, and it’s her curse to watch that happen. In this current cycle, she’s decided to not tell them about their magical past in the hopes that it’ll keep them alive for longer, so as the show begins, they have no idea about their powers. The sister Wendy (played awesomely by Mädchen Amick) can shapeshift into a cat and has about as many lives as one. She’s charismatic and fun-loving but things between her and Joanna have been frosty for a while. Freya’s caught up in a love triangle between two hunky brothers, the two regular male characters on the show, and Ingrid’s a librarian who, once she’s learned about her powers, is surprisingly greedy for more.
All right, so the stage is set. With so many women, the initial hope’s always that one is going to be revealed as queer from the start, but that didn’t happen here. All right, it’s an enjoyable enough show on its own and surely Wendy’s going to reveal a f/f fling or maybe Ingrid’ll start something up, whatever. In the of the second season, as our heroes are deep in trouble, they need an incredibly badass hunter. Oh look, Joanna knows someone. She takes Wendy off to the streets of NYC and just magically zones in on a woman. Meet Alex (Michelle Hurd), successful hedge fund manager. She’s not too happy to see Joanna and rejects her plea for help and it’s clear there’s something personal there. At this point I am intrigued, but then I’m intrigued pretty darn often, so pfft. No need to get my hopes up. With no help from her, the Beauchamps continue to ineffectually plan and bicker, but hey, she’s showed up after all, no more business suit but jeans and hair pulled back. She’s still short with Joanna, but obviously someone’s gotta help them.
Then, we get a flashback! In a previous life of Freya’s, Joanna introduces her to her “friend” Alex. So at this point, I’m no longer just suspicious, I am sure. And then we go back to the present where they bicker and call each other stubborn as they try to not very subtly protect each other. Even though this was Alex’s first appearance on the show, Ormond and Hurd played it so well, they really did seem like a couple of exes. As they finally did go out hunting, the scene above happened! And so, okay, I was like 99% sure, but to have it confirmed. What makes this a favorite is how even in just one episode they managed to put together a good story. Alex ended up staying for just one more, and they had a really good couple of conversations in the next ep, but this scene remains my favorite. I know WoEE’s been cancelled but I can hope that if it had continued, Alex would have returned.
26 Favorite Femslash Moments of 2014
16. The Fall – Stella and Tanya
I doubt there are a lot of femslash fans left who haven’t seen this moment yet. Freaking Scully and Kalinda making out? Yes, please. Having shipped Stella and Reed Smith (did we ever discover onscreen if her first name was Tanya) from the start, I had only a little more expectation of anything happening than in a typical show. One the one hand, they already had a different lesbian character and the series seemed too short to let it branch off into this, and well, it seemed too good to be true. Wishful thinking, really. How many times have we shipped main characters with chemistry only to have nothing happen? On the other hand, Stella seemed liked she’d definitely be up to it, Anderson plays her with a certain lazy sexuality, and the characters did seem to hit it off.
Before the second season started, we had a suggestive promo pic from this already, so people were gearing up for it. When it did finally happen…I’m not going to say it was queerbaiting, but it was a bit anti-climactic. It did start up because of a guy (though to get rid of him, not put on a show!) but it obviously did end up holding some significance for them both. It was actually the post-kiss staring and Reed Smith’s definitely affected wiggling that was my favorite part, actually. And I think from the scene after, we know something could have happened. Here’s hoping we’ll get it in the next season.
26 Favorite Femslash Moments of 2014
16. The Fall – Stella and Tanya
I doubt there are a lot of femslash fans left who haven’t seen this moment yet. Freaking Scully and Kalinda making out? Yes, please. Having shipped Stella and Reed Smith (did we ever discover onscreen if her first name was Tanya) from the start, I had only a little more expectation of anything happening than in a typical show. One the one hand, they already had a different lesbian character and the series seemed too short to let it branch off into this, and well, it seemed too good to be true. Wishful thinking, really. How many times have we shipped main characters with chemistry only to have nothing happen? On the other hand, Stella seemed liked she’d definitely be up to it, Anderson plays her with a certain lazy sexuality, and the characters did seem to hit it off.
Before the second season started, we had a suggestive promo pic from this already, so people were gearing up for it. When it did finally happen…I’m not going to say it was queerbaiting, but it was a bit anti-climactic. It did start up because of a guy (though to get rid of him, not put on a show!) but it obviously did end up holding some significance for them both. It was actually the post-kiss staring and Reed Smith’s definitely affected wiggling that was my favorite part, actually. And I think from the scene after, we know something could have happened. Here’s hoping we’ll get it in the next season.
26 Favorite Femslash Moments of 2014
16. The Fall – Stella and Tanya
I doubt there are a lot of femslash fans left who haven’t seen this moment yet. Freaking Scully and Kalinda making out? Yes, please. Having shipped Stella and Reed Smith (did we ever discover onscreen if her first name was Tanya) from the start, I had only a little more expectation of anything happening than in a typical show. One the one hand, they already had a different lesbian character and the series seemed too short to let it branch off into this, and well, it seemed too good to be true. Wishful thinking, really. How many times have we shipped main characters with chemistry only to have nothing happen? On the other hand, Stella seemed liked she’d definitely be up to it, Anderson plays her with a certain lazy sexuality, and the characters did seem to hit it off.
Before the second season started, we had a suggestive promo pic from this already, so people were gearing up for it. When it did finally happen…I’m not going to say it was queerbaiting, but it was a bit anti-climactic. It did start up because of a guy (though to get rid of him, not put on a show!) but it obviously did end up holding some significance for them both. It was actually the post-kiss staring and Reed Smith’s definitely affected wiggling that was my favorite part, actually. And I think from the scene after, we know something could have happened. Here’s hoping we’ll get it in the next season.